Video: Féroces — Qu'est-ce Qu'on Va Devenir Nous Deux?

Recommendation: Lòdz - Time Doesn't Heal Anything

Band: Lòdz
Album: Time Doesn't Heal Anything
Label: Klonosphere
Year: 2017








Tracklist
01. Negligence
02. Time Doesn't Heal Anything
03. The Sound Of Deceit
04. Time Of Grace
05. Nothing Else To Do
06. Cataract
07. This Feeling
08. Everything Is Fine
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Lòdz is a French post-rock/metal band from Lyon founded in 2010. They released their first EP, "And Then Emptiness", in 2012 and an album entitled "Something In Us Died" in 2013. "Time Doesn't Heal Anything" is their latest album released in 2017.

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The Inquisition: 095.Jack Maniak

1. How did you came up with the name of the band?

"Maniac" is a famous song of the 80s. Jack Maniak came to me pretty quickly. Jack is the hero of my albums; a teenager who have special abilities.

2. Do you have a standard procedure of creating a song? Do you just jam around or is there a main riff and the track is build up on it?

It depends, I usually start with a powerful melody; then i construct around this. Or I start with an introduction and I find riffs or melodies to go on. I try to adapt sounds for each story of my songs.

3. What are your influences and what kind of music do you hear when you are at home?

I have metal roots, I play in 2 other bands Idensity (death metal) and Område (avant-garde); my main instrument is drumming but I play more keyboards now. My drumming experience gives me what I need to find good grooves (even for the bass which is very important in synthwave). I don't listen to metal anymore (or just a few), I am back in the 80s for the moment.

4. Which is the one album you can't live without?

Queen - Greatest Hits II

5. What's the first record you've ever bought?

It was Megadeth "youthanasia", Iron Maiden "Live After Death" the same day!, great visual and powerful sound.

6. Name a band that you would like to share the stage or tour with?

Probably Carpenter Brut or Volkor X; I like the approach of Carpenter with live instrument (including drums), it merges the metal and electro world.

7. Did the internet and specially the blogs helped to spread your music around the world? Name a place (country) that you were surprised to know your music has reached to?

Yeah we need a good support to spread our name, I have the chance to have Jet Set Trash as a label but we always need more and more visibility; Jack Maniak just started few weeks ago but my other bands had reviews in Peru or Mexico for example.

8. Do you support the idea of bandcamp where fans can decide the price or services like spotify?

Well it depends, there are good and bad points on it; digital release are the future and you can discover a lot of bands with it and at a lower price; the key is to do music for passion,if you have to earn your life with music, it is definitely not the good way.

9. Where do you see yourselves in 5 years?

Well the only thing I know is that I will always do music. I don't know in which terms but I could do it alone in my room if I have not enough money to spread it.

10. Is the artwork of an album important nowadays in the digital era?

Yeah it is very important, the artwork has to fit with the spirit of the project, well I should say it is better because not everyone can afford to pay professional artworks.

11. What is you favorite album cover?

Mine of course, Jack Maniak - Code 403 cover done by Julian Gamella :)

I like Jeff Grimal's art too, he made impressive paintings for Område project.

12. It seems that a lot of people are turning on vinyl again. Why do you think that is and which is your preferable media format?

I think vinyl replace temporally Cd's but it is a small market. Digital and "spotify(s)" are probably the future.Cd's will be dead soon, only few labels want to work with this media

13. What's the most vivid story or moment as a band?

Jack Maniak is a one man band, so it's very special because you have to manage everything (including the costs). It's a good feeling to decide but sometimes it is hard to think of everything.I try to have joy as much as i can on what i do, but being alone make the project really alive because you have to be everywhere.

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The Inquisition: 094.Dirge (answered by Stéphane L.)

1. How did you came up with the name of the band? 

Marc T. came up with this name back in 1994. The relation between the meaning of this word (« funeral chant/music ») and the very nature of the music seems pretty obvious.

2. Do you have a standard procedure of creating a song? Do you just jam around or is there a main riff and the track is build up on it? 

At the time of the And Shall The Sky Descend / Wings Of Lead Over Dormant Seas albums, we used to improvise some parts during rehearsals, generally the most abstract and atmospheric ones. Because it was the most interesting way for us to explore certain moods and certain non-structured pieces. But beside this very specific era, we never jam. Even the most primitive structures or riffs are worked at home, then reworked, modified, transformed, adapted later with the whole band. Our songs are 80% finished when we finally bring them in the rehearsal room. Most of the time, tracks start then develop with one or two or three guitar riffs, in some other (rare) cases with a sample but I won't say there's a recurring modus operandi while creating a Dirge's song. We let things flow. Same goes for the lyrics, even though, and that's the only real standard procedure for us, words always come to life once the track is fully completed.

3. What are your influences and what kind of music do you hear when you are at home? 

Our primordial roots are quite obvious : Godflesh, Neurosis, Godspeed! You Black Emperor, The Cure... But all these structuring influences have been absorbed and digested for a long time now. The four of us have really different and various musical preferences. It goes from industrial to dub, passing by movie soundtracks, blues, classical, death metal, french songs, psychedelic, post punk/goth, electro... To give you an insight (and talking just for myself), I've been listening these last months to stuffs like Dälek, Lea Porcelain, Tropic Of Cancer, Death, Emma Ruth Rundle, Marissa Nadler, Throane, Myrkur, Butthole Surfers plus a bunch of old favourites (Cocteau Twins, Einstürzende Neubauten, Death In June, And Also The Trees etc).

4. Which is the one album you can't live without? 

Too many to name it. Let's say Pornography by The Cure.

5. What's the first record you've ever bought? 

October by U2. On tape.

6. Name a band that you would like to share the stage or tour with? 

To stay in a realistic world, and in order to have a package connected with the same spirit, but different enough to avoid any common field, I would name artists like Lycia, SubRosa, Anna von Hausswolff or Wardruna.

7. Did the internet and specially the blogs helped to spread your music around the world? Name a place (country) that you were surprised to know your music has reached to? 

Of course all these blogs and webzines, from the smallest to the biggest ones, do help bands like us to spread their music across the world. And therefore reaching countries we'd never have thought about, like Iran, India or United Arab Emirates...

8. Do you support the idea of bandcamp where fans can decide the price or services like Spotify?

We have to adapt to our times and, unfortunately I don't think we have other real alternatives concerning this new way to grasp music. These days, music is often seen as a « consumer product », something to burn off quickly, something to skim through rather diving into. The time spent downloading, listening, storing or throwing and so on and so forth, has became wealthier than a simple CD or LP. But in another hand, despite these changes, despite the dematerialization, I know that a lot of people, young or old, give to Art the value its deserves. So we have to trust these people (especially with the kind of music we're doing), trust their faith in artists' « handcraft », trust their will to support music and musicians. Bandcamp, Spotify or Deezer are not my ideal, but it is the way things are today. But I also know that piece of art's lovers will always prefer a beautiful vinyl than a simple 320ko mp3. And these people will always exist.

9. Is the artwork of an album important nowadays in the digital era?

Yes of course. Artwork, as well as the songs themselves, the production and even the tracklist are significant parts of a whole called « piece of art » (regardless of the quality of this piece). Yesterday, the cover was often the first interaction you had with an album, even before the music. And I still like this idea of visual incarnation of the sound.

10. What is you favorite album cover?

I'd say all the graphic works of Vaughan Oliver for the English cult label 4AD, especially Treasure (Cocteau Twins), Medusa (Clan Of Xymox), Tocsin (Xmal Deutschland), Within The Realm Of A Dying Sun (Dead Can Dance) among others. 

I also really appreciate Peter Saville's work for the Factory label like Joy Division's Unknown Pleasures & Closer albums or New Order's Brotherhood. 

I also really love the Wildhoney cover by Tiamat, Sympathy For The Devil by Laibach, the Sumerland 12'' by Fields Of The Nephilim, Icon by Paradise Lost, All The Pretty Little Hoses by Current 93 and so many others I forgot. All these artworks have a lot to say, far beyond their graphic nature...

11. It seems that a lot of people are turning on vinyl again. Why do you think that is and which is your preferable media format?

Because vinyl seems to be the most aesthetic response, the most graceful rebellion against our modern and disincarnate world, against the very-compact, the very-easy-to-get, the very-quick-to-listen. And it is also our favorite format, both aesthetically and sonically.

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Recommendation: Jack Maniak - Code 403

Band: Jack Maniak
Album: Code 403
Label: JST Records
Year: 2017








Tracklist
01. Stripe Is Back
02. No Fate
03. Code 403
04. Final Departure
05. Tribal Mob
06. The Guardian
07. Space Invaders
08. Dangerous Night
09. Sky Demons
10. Glory
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Jack Maniak is a new one-man project created in 2016 by French musician Jean-Philippe. Living in Paris and also playing in a number of bands, Jean-Philippe felt the need to delve deeper in the electronic music sounds. Born in the 70’s and having experienced the 80’s as a teenager his love of that era didn’t take long to manifest in his music giving birth to his synthwave alter ego, Jack Maniak.

For a melodist, exploring this genre is a great opportunity and for Jean-Philippe the idea of writing music inspired by the 80’s but with a modern approach and twist soon turned out to be irresistible. Combining melodic synth leads, hard-rock/heavy rhythm guitars, guitar solos (when needed), big distorted basslines and groovy drum/bass patterns Jack Maniak debuts on JST with “Code 403”.

Filled with hidden references to the decade Jack Maniak grew up into (“Stripe Is Back” – Gremlins, “No Fate” – Terminator 2 and so on) “Code 403” is the story of a human teenager with special abilities who is called to face an alien invasion. Will he emerge victorious? 

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Album: Necrodancer - Void

Band: Necrodancer
Album: Void
Label: Throatruiner Records
Year: 2017








Tracklist
01. The Necrodancer
02. The Seizure
03. The Hunter
04. The Turning
05. The Crusade
06. The Divide
07. The Inquisition
08. The Calling
09. The Trial
10. The Battlefield
Download | Mirror

Franco-belgian squad Necrodancer doesn't waste time with warning shots and directly introduce themselves to the world with "Void", their debut album. Formed in 2016 between Paris and Liège by members hailing from various corners of the heavy music realm (Verdun, Daggers, Death Mercedes, Radio Maquis…) the band establishes with "Void" an already personal, hard-to pin sound. Drawing as much from swampy noise rock as from the punkier edge of later-era Darkthrone, these self-proclaimed funeral grungers are as comfortable with surprisingly catchy melodic hooks as with remorseless crust assaults. Recorded and mixed by Amaury Sauvé (Birds In Row, Plebeian Grandstand, Death Engine) then mastered by Brad Boatright at Audiosiege (Okkultokrati, Nails, Full Of Hell) for maximum damages, Necrodancer's firepower will be hard to ignore.

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Buy Throatruiner Records (EU) | Lost Pilgrims Records (EU) | Deathwish Inc. (US)

Recommendation: Përl - Luminance

Band: Përl
Album: Luminance
Label: Apathia Records
Year: 2017








Tracklist
01. Himalaya (Deval, Part. 1)
02. Ka
03. Séléné
04. L'homme à l'éléphant blanc (feat. F. Berardo)
05. Jhomo Langma (Deval, Part. 2)
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Përl is a post-metal band from France which  juggles with the feelings and invites you to an internal journey where confusion, violence, pondering and poetry mix.

Their latest release "Luminance" slipped under the radar of lots of post-metal fans, which is really a shame, because it's an amazing album from start to finish! Do not let the language barrier prevent you from hearing this masterpiece!

Once under spotlights, the trio delivers its music with energy and retained fury. Be prepared to rediscover catharsis in a concert of metal...

For fans of Obscure Sphinx, Eths.

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Compilation: Various Artists - #FuerzaMéxico

Band: Various Artists
Album: #FuerzaMéxico
Label: Run Golden Boys
Year: 2017








Tracklist
01. 2nd Cockpit - 8
02. Anathéme - Baisers De Glasgow
03. Argovia - Waves
04. Arms And Sleepers - Time Will Tell
05. Baikonur - Auguri
06. Cegvera - Refractive Errors
07. Codices - Illuminate
08. Endless - Solve Et Coagula
09. Ikiatari - Gatatttack!
10. Jean Loup - Gran Keet
11. Joliette - Henry Coyote
12. Kokomo - Monochrome Noise Love
13. Lisboa Bear - Jupiter
14. Lost In Kiev - Insomnia
15. Meniscus - Overhag
16. Mi Triste Bisonte - Overly
17. Nordic Giants - Together
18. Pray for Sound - Monophonic
19. Ranges - The Ascensionist
20. Run Golden Boys - Aurum
21. Set And Setting - Ephemerality
22. Spurv - Mellom Broen Og Elven
23. Sunset Images - Roads
24. Takami Nakamoto - La Ciudad
25. The Chapel Of Exquises Ardent Pears - L'Eloge De La Folie 04:53
26. This Patch Of Sky - And So They Watched As The Years Passed Us By
27. Tourettes - Neblina
28. Vinnum Sabbathi - Gravity Works
29. Viva Belgrado - Por La Mañana, Temprano
30. Vyctoria - Ahora Veo Más Claro
31. We Lost The Sea - A Gallant Gentleman
32. Yo Triceratop - El Capitán
Stream / Buy / Download

Greetings,

A couple of days ago, Mexico City was struck by an earthquake which destroyed a lot of houses and, sadly, ended several lives.

We want to ask for your help now.

We are putting with a lot of song of good friends, and the proceeds will be used to buy food and basic supplies for the people who lost everything.

How can you help? 

Acquiring this playlist set in "name your price".

Furthermore, the art of this playlist will be released as a print, and the proceeds will be used to buy more food and basic supplies. The art was made by Johna R.

IG: www.instagram.com/johna_r/

Thanks for your time and support. #FuerzaMéxico - Run Golden Boys

Video: Celeste - Cette Chute Brutale

The Inquisition: 089.Synopsys

1. How did you came up with the name of the band?

To be honest, the name of the band was already Synopsys before we started to bring our project the way it is today. We played different styles of music in our past musical explorations. But as we are quite often qualified as a cinematographic band, we think that the word synopsis, as we use it for a summary of a film, is something quite close to our musical style.

2. Do you have a standard procedure of creating a song? Do you just jam around or is there a main riff and the track is build up on it?

We use all the ways that we can to create songs. We like to think that we try to let the music go its own way, so every moment of creation is important for us. Jamming could open some doors that computer composition can not, and inversely. For this album, we recorded a lot of material, at the studio, everyone by it own at home, sometimes phones memos or complete composed track on computer. Then we decided to chose and combine all these sounds / tracks / riffs to make an album. At this step we built a pre-production on computer to know what the album will sound like and to organise the tracks.

3. What are your influences and what kind of music do you hear when you are at home?

A lot of different influences. Post-rock and metal naturally but a lot of classical music, electro experimental, classic rock, ambient music, films, books … We let inspiration comes from all possible ways.

4. Which is the one album you can't live without?

As we are 5 we had to pick more than one album, but Isis’s Oceanic / Autechre LP5 / Led Zeppelin eponymous & Black album from Metallica are our favorite albums if we have to choose one for each musician.

5. What's the first record you've ever bought?

Led Zeppelin - eponymous, Nirvana - From the muddy banks of the wishkah, Wu Tang - WACDC - Ball Breaker, Metallica - Kill Em All

6. Name a band that you would like to share the stage or tour with?

Probably Russian Circle and Isis if one day they come back to stage.

7. Did the internet and specially the blogs helped to spread your music around the world?Name a place (country) that you were surprised to know your music has reached to?

Synopsys is a musical project with not label yet. Like most bands we are doing everything by ourselves. And internet and blogs are very useful to spread our music around. Because of its direct links to the band’s music, it make it easy to be discovered by people from all around the globe. We are already surprised to send our physical supports to Russia, Canada, Norway… But that's thanks to blogs like post-engeenering.

8. Do you support the idea of bandcamp where fans can decide the price or services like Spotify?

We like Bandcamp because it is a most complete platform. You can sell merchandising. But Spotify is perhaps more « sharing around » and is clearly used by more people. But when someone buy your music on Bandcamp, the possibility to decide a price higher than the band ask is important for the artist support. Not because that we raise more money, we do not make music for money first, but because of how encouraging it is. There is something more friendly with Bandcamp. We can send email to thanks our fans and keep a good contacts with them. We think it is an important side of the music-sharing support we use, and Bandcamp do it well.

9. Where do you see yourselves in 5 years?

We hope we’ll have spend many times on stage, and composed one more album, exploring news soundscapes and collaborating with new artists again and again.

10. Is the artwork of an album important nowadays in the digital era?

As we are two graphic designers and visual artists in the band, we like to think that artworks are important. And it seems to be, as we can read some comments from new listeners who come sometimes first for the visual side of the project. It can sound marketing-like but this just some analysis to help us to answer the question.On an other point of view, the artistic point of view, Artwork are also important for us because of the cinematographic aspect of our music. That’s why we made the artwork for « Le temps du rêve » quite abstract and metaphoric. As our music and lyrics could be.

11. What is you favorite album cover?

Pink floyd - Dark side of the moon

Neurosis - Times of grace

Red hot chili peppers - Californication

Nirvana - Nevermind

12. It seems that a lot of people are turning on vinyl again. Why do you think that is and which is your preferable media format?

Vinyls have something about affective. Because, we think, of their analog aspect. We know that today every vinyl have been recorded on computer, and the recorded sounds are no-more 100% analog if you consider the work from recording / mixing on computer before engraving vinyl. But there is something more affective. The large artwork probably. The manipulation of the object before listening. There is a real interaction with the object and the sound, vibrations, defaults …

13. What's the most vivid story or moment as a band?

One of our best experience as a band was when we played a cine-concert (concert film) inside a wonderful movie theatre in Avignon. The screen behind us was so big ! Peoples sitting in their armchairs and we really felt the interaction between sound and images. A vibrant moment for us !

More info:

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Streaming: Way Of Abyss - Parallels

Band: Way Of Abyss
Album: Parallels
Label: Corrosive Records
Year: 2017








Tracklist
01. Medzo
02. Bloody Angela
03. Substantive Laws
04. Our Hymn
05. Ariane
Streaming / Buy

Way Of Abyss is a one-man project based in Lyon since 2007.

Dive deep into atmospheric music, inspired by all the best author of electronic, minimalist and post-rock/-metal music of our time.

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Recommendation: Féroces - Victor EP

Band: Féroces
Album: Victor EP
Label: Self Released
Year: 2017








Tracklist
01. Ne Vous Retenez Pas
02. Carole
03. J'attends Qu'il M'arrive Quelque Chose
04. L'odeur Du Cuir
05. Slalomer Entre Les Ivrognes
06. Victor
Streaming / Buy

Second release (apart from their singles "Donna" and "Sometimes (Jamais On Ne Nous Dit Ces Choses​-​là)") from one of the blog's favorites and Féroces live up to our expectations! An excellent EP from start to finish with their unique french cinematic kind of way!

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Album: Everything Flows - Aphelion

Band: Everything Flows
Album: Aphelion
Label: Self Released
Year: 2017








Tracklist
01. The Watcher
02. Spiral
03. Something Is Lurking
04. Sore
05. Dusk
Download

Everything Flows is a french post-metal band formed in 2014. They create progressive music that alternates loud riffs and atmospheric sections.

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Recommendation: Synopsys - Le Temps Du Rêve

Band: Synopsys
Album: Le Temps Du Rêve
Label: Self Released
Year: 2017








Tracklist
01. Morning In The Wilderness
02. Reverie Of Rising Star
03. Impulse
04. Leviathan
05. Into The Abyss
06. Beyond The Black Ocean
07. Dusk
08. A Whisper In The Evening
Streaming / Buy

"Synopsis [sinɔpsis] nm: A brief summary of the major points of a subject or written work or story, either as prose or as a table; an abridgment or condensation of a work."

Synopsys is a french post-metal / post-rock band from France. Their debut album "Le Temps Du Rêve", released today, is one of the best albums I've heard lately and probably will be on lots of AOTY lists in December!

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Video: Synopsys - A Whisper In The Evening

The Inquisition: 086.Féroces

1. How did you come up with the name of the band?

Jérôme: When we decided to start this band, we thought of different options: we wanted a French name, as we only use French movie samples, and didn’t want something too obvious regarding the music we play, so we took almost the opposite. Féroces describes something cruel and savage, and while two of us come from the hardcore scene and love to play wild shows, our music is more about something melodic and sweet.

2. Do you have a standard procedure of creating a song? Do you just jam around or is there a main riff and the track is build up on it?

Sébastien: Usually, Jérôme sends me what he calls a song, i.e. hundreds of themes on the guitar with a sample from a movie. Then, I choose the ones I find most interesting, rearrange them to build the structure of the song, add the synthesizers and basic drum parts, and then send it back to the others. Actually, when we first play a song “for real”, it is already close to the final version, we just rearrange transitions, synth levels, etc.

3. What are your influences and what kind of music do you hear when you are at home?

Sébastien: As a recording studio owner, I listen to (mostly) rock music all day long, so at home I’m more into electronic music. One of the last bands I listened to is Tobacco (maybe you can hear the influence of that band on my Donna remix).

Jérôme: I used to play in Emocore bands like Gantz and Hiro, but I can now say that I listen to a wide range of music from hardcore to electronic ambient music. Regarding my influences, I would have to say Slint, Microfilm, Mogwaï, Interpol, Joy Division, Fugazi and Amanda Woodward.

François: I listen to pretty much all kinds of music just to discover new stuff but I like rhythmical music with drummers playing creative fills (Interpol, Foals). I recently discovered a French band called Totorro and I love their style.

4. Which is the one album you can't live without?

Sébastien: Nine Inch Nails “The Fragile”

Jérôme: Slint “Spiderland”

François: Interpol “Turn On The Bright Lights”

5. What's the first record you've ever bought?

Sébastien: Michael Jackson’s Bad (and I’m not ashamed of it)

Jérôme: Kylie Minogue’s Locomotion (and I’m really proud of it)

François: Bryan Adams’ Waking Up the Neighbours (sorry guys)

6. Name a band that you would like to share the stage or tour with?

Jérôme: I would love to play with Nirvana one day.

7. Did the internet and specially the blogs helped to spread your music around the world? Name a place (country) that you were surprised to know your music has reached to?

Sébastien: Thanks to Youtube, one of our song has been played more than 20,000 times in Greece. It appears that it’s been added to a very popular Greek playlist. I would really like to go play there!

Jérôme: We promote our music by ourselves, and many people help us spread the word, via social networks. In fact, blogs and online communities have made us into what we are today.

8. Do you support the idea of bandcamp where fans can decide the price or services like Spotify?

Sébastien: We are on both services, and it’s been very pleasant to see that most of our fans are willing to pay more than what we ask for! But despite thinking that what Spotify and the other streaming platforms give back to the artists is quite ridiculous, we cannot, as a new band, decide that we won’t be available there…

9. Where do you see yourselves in 10 years?

Jérôme: Dead and buried

Sébastien: More seriously, if Jérôme starts exercising, we could definitely be playing “Même ça tu n’as pas le courage” :)

10. Is the artwork of an album important nowadays in the digital era?

Jérôme: Sure, we spend a lot of time talking about the artwork. The harmonization of the music and the image must be coherent.

François: Also, some people like to buy vinyls just to have the artwork in a decent size and they keep listening to the digital albums.

11. What is your favorite album cover?

Jérôme: I would say “Unknown pleasures” by Joy Division, so many people around the world know these mountains, I got them tattooed on the top of my left arm.

François: I find the cover of “Is this It” by The Strokes very pleasant to look at.

12. It seems that a lot of people are turning on vinyl again. Why do you think that is and which is your preferable media format?

Jérôme: Actually, a lot of people listen to random music, in random mode, during their random lives, and I’m one random guy living in a random world. When you choose vinyl, you decide, you take the power back.

Sébastien: The process of listening to music is different depending on the media. I think listening to a vinyl is a more conscious action because you will most likely listen to the whole album, and not just a single that is part of a compilation. The object itself is also very different, and needs care. And there is a huge difference in terms of sound, the vinyl is always less compressed, subtler, more musical than CDs and other digital formats.

13. What's the most vivid story or moment as a band?

Jérôme: Each live show is special, sometimes I can forget where I am, who I am, what I do and forget. Only music and love can do this to me, this sensation is a drug and I would like to feel it every day.

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Video: Synopsys - Leviathan

Recommendation: Cloud Shelter - S/T

Band: Cloud Shelter
Album: S/T EP
Label: Self Released
Year: 2017








Tracklist
01. Silent Landscape
02. Kumo
03. Cold Mountain
Download

Cloud Shelter is a post-rock band from Lyon,  France.

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Video: LÒDZ - Time Doesn't Heal Anything

Recommendation: Third Meridian - Polarity

Band: Third Meridian
Album: Polarity
Label: Self Released
Year: 2017







Tracklist
01. 3°W
02. Heroes
03. Darkside
04. [K]night Is Over
05. Tyr Island
06. The Last Escape
07. Moonlight Drive
Streaming / Buy

Third Meridian, it's an immersive dive into a cinematic universe where the association of sound and video will lead you straight to the euphoria.

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